Famous interior designer Cui Huafeng detailed information introduction

Mr. Cui Huafeng's design

Contemporary Chinese designer

Oriental culture background

From the central level of the school

Living in the south, eating in Guangzhou

China's first independent studio

Work direction: corporate headquarters space, brand culture image display space, theme hotel

Research direction: Contemporary? Oriental? Impression

Cui Huafeng, a lot of social names

The best thing is: first-line essential designer, directional strength designer

He firmly believes that the light of the East is the most hopeful, so he adheres to the contemporary design style of Eastern culture. The design philosophy is: traditional culture must be expressed by contemporary means, in line with the contemporary people's ideology - aesthetics, values, this system must not be the surface of the figure, but the connotation behind it, is the spirit and philosophy. Calm, essence, and sentiment are very important elements.

His works hope to convey a kind of "Tao" and "God", which is the essence of things. At the same time, it can arouse people's interest, and the form is beautiful, encouraging everyone to be solid, active, and motivated, and to achieve a good wish.

Favorite designer - Pei Ming. "Because he has not forgotten the East."

His work is biased, a prejudice of oriental thought. But it is international and very contemporary. The design community believes that he is the most leading figure in the East.
He believes that the best works should have both spiritual, philosophical, and formal aesthetics. They are in harmony with each other. inseparable. for sure. It will never be a single element.

He also believes that design is time-sensitive, but the quality is relatively eternal. The so-called perfection is more than just testing its quality.

He said that when everyone appreciates his work, he can't help but touch it with his hands instead of looking away from it. It must be "unexpected."

Teacher Cui said: "Space design is tangible, spatial perception is intangible, and good design often lies behind the shape, giving each entering person unlimited.



1